Fine Art Felines Friday: A Fiver in the Kitty by Horatio Henry Couldery

I chose today’s painting, A Fiver in the Kitty by Horatio Henry Couldery, for Fine Art Felines Friday because when I came across it I was struck by how even way back in the 19th century, when this was painted, cats were still obviously major pains in the asses delightfully mischievous furballs, as evidenced by these two shredding up a letter and making a mess with the ink.  Which I find hil-ar-i-ous, <sarcasm> because I don’t know ANY cats (ahem, I’m looking at you, Samantha, Jesse, Abbey, Momo and ESPECIALLY OLIVER) who would be involved in these types of activities today </sarcasm>.  Anyway, back to this particular painting and a little about this artist.  Horatio Henry Coulder (1832–1918) was an English artist who emphasized cats, kittens and dogs in his subject matter (just image-google his name and you’ll see why I dare you to not call him a crazy cat guy).  I couldn’t find the year that “A Fiver in the Kitty” was painted, but if anyone can tell me what the title means, I will give you a virtual kitten squidgle behind one of your ears.  Deal?

Oh – and PS – Fine Art Felines Friday will be taking a break during the month of April because I will be maniacally busy with the A to Z Challenge.  But we’ll be back in May!  See you then!

A Fiver in the Kitty by Horatio Henry CoulderyA Fiver in the Kitty by Horatio Henry Couldery

 

Fine Art Felines Friday: Gato De Los Muertos by Laura Barbosa

I’m starting a new Fuzzy Undertones feature today: Fine Art Felines Friday!  Every other Friday (my “extra” day off of work, coincidentally), I’ll be posting a piece of fine art that features a cat in some way or another, and tell you a little about the artist.  I stumbled upon today’s featured painting just by googling around the Interwebs, and what made it stand out in the crowd was its bright colors and style.  I LOVE Day of the Dead art, so this painting, Gato De Los Muertos by Laura Barbosa, really caught my eye.  In browsing through Laura’s work online, I found her art to be colorful, abstract, emotional and very textural, and I really connected with her style.  Check out her website if you’d like to see more!

Gato De Los Muertos by Laura Barbosa

Getting Our Paint On

Look at us getting our painting on!  Chris and I took a painting class at a studio called The Loaded Brush, where you get all the materials you need for a painting, plus beer and wine if you’d like.  It was so much fun!  We signed up for the Chat Noir class, and had a great time.  It was really interesting seeing how everyone’s paintings differed, even though we all painted the same picture.  The instructor was very good and did a great job going step-by-step throughout the process of creating our paintings.  We think we might even go back for another class sometime!

In the Presence of Greatness at Comic-Con!

Oh my god, Comic-Con was so much fun. I was a little anxious about going, since I don’t like crowds much and dealing with parking, but the whole day went off without a hitch. Nik and I were fortunate enough to purchase tickets over a month ago, and it’s a good thing because the event was sold out weeks ago. My main objective was to see Lynda Barry, my all-time favorite cartoonist, and to meet Ray Bradbury, a long-time friend of Nik’s. And the day was a success! I could go on and on in detail about the whole thing, but I’m sure you’d rather see the pictures than read a long ramble about all the crazy storm-trooper wannabes, the hordes of comic-crazy people, and Erik Estrada trying to dodge crowds by putting on a silver Mardi-Gras style mask. Well, too bad – I’m going to ramble about the day’s events anyway.
Actually, we parked only about four blocks away, and didn’t have to wait in line at all for our badges at registration. I wanted to go see Matt Groening and Katey Sagal, who were speaking in the Futurama panel first thing, and that was when we got our first experience of the long lines at Comic-Con. Amazingly, even though our line extended almost back to La Jolla, we got into the ballroom which was only about half-full. Wow! After we watched the panel discussion for a while, we headed up to Forry Ackerman’s conference room (Nik used to work for him), but he wasn’t there…I guess he had spoken earlier and we missed it.
Then, the highlight of my day – I trekked down to the Exhibition Hall to find Lynda Barry. Now let me tell you something. This was like finding a needle in a haystack. First, you can’t see one end of the hall to the other. It is HUGE!!! And there are TONS of people there – the event was sold out at 125,000. So, it was me against 124,999 other people trying to find Lynda. The day before I had assembled my velcro-t-shirt message to say “HELP ME FIND LYNDA BARRY” but it wasn’t working so great. However, after only about 30 minutes of wandering around in a sensory-overload stupor, I found myself in front of the Drawn and Quarterly booth, who published Lynda’s last book. I asked the girl behind the table, “can you please tell me where Lynda Barry might be?” and she pointed over her shoulder and lo, there she was. Just sitting there! Talking with people! I finally got to approach her and gave her a copy of the ‘zine that I wrote about my favorite women cartoonists (featuring Lynda, of course), and she was so happy and warm and amazing. We had a nice conversation – I can’t quite remember about what, but I’m fairly sure that I just gushed about how amazing she is and what an inspiration she has been to me for nearly my entire life, and how she wrote me back when I wrote to her and I started to draw cartoons and eventually was published in a weekly paper but now I’m a biologist with the Fish and Wildlife Service, so go figure. And she said that biology was where it is at, and we chatted about marine snow and cephalopods. Awesome. See – pictures! That’s Lynda worshipping me, and me pretending to be bored (that was Lynda’s idea, by the way).

Well, I was happy. I didn’t really care what happened the rest of the day. We scarfed down a quick lunch, then made our way towards the room where there was to be a panel discussion featuring the writers of “The Office”, including Rainn Wilson, who plays Dwight Schrute. The line wasn’t long, so I was sure we’d get in. Psyche! The line was CRAZY long – it went down the hall, out the door, wrapped around the back open area, down a staircase towards the bay, then down another staircase, then up a staircase, then out to Escondido. I changed the message on my shirt to read “Mrs. Schrute” in hopes of increasing my chances of getting in, but alas, about halfway towards the shuffle to the room, we were informed that the panel room was at capacity and there was no way we’d get in. Oh well! So, we dashed through the autograph area where I saw Erik Estrada donning his mask and got Katey Sagal’s autograph. Then Nik and I wandered around the Exhibition Hall again, which had gotten even more crowded, and I purchased a Dwight Schrute bobblehead and a “Science Bitch” t-shirt, and lost one of my tree of life earrings which I’d been wearing every day for about the last six years.

Me and Nik waiting in line for “The Office” panel, somewhere near Mira Mesa.

Me and my new boyfriend (the one in red. The guy on the left was a dork.).

This guy’s sign read “Free High Fives!”, which I cashed in on. However, I did not redeem the sad-looking “Free Hugs” guy’s offer.

It was then time to try to find Ray Bradbury. Nik had Santiago’s cell phone number (who was responsible for moving Ray around in his chair), but we weren’t able to cross paths prior to Ray’s speaking engagement. But, we got good seats in his spotlight lecture, and afterwards went over to say hi. Ray immediately saw Nik and gave him a warm hug hello; we then followed him with his entourage and adoring fans to the autograph area for an impromptu signing. After that, we escorted Ray through the Exhibition Hall (“step aside, Ray Bradbury coming through, move out of the way please!”), out the back through the loading dock area, to his limo. We were invited to join him for dinner, so after saying another hello to Lynda, we walked back to the car and drove over to San Fillipos’ Italian restaurant near the Hillcrest area. So, it was me, Nik, Ray, Santiago, the limo driver, a bookstore owner guy and another guy eating spaghetti and chatting about books and film and Ray’s influence on pop culture in general. Did you know that Ray was there at the very first Comic-con? And, he insisted that the Academy watch Schwartzenegger’s first film Pumping Iron, launching him on his trajectory towards governatorship? And, he’s the one who said that Rocky should end sad but, in losing the fight and winning love, it would really end happily? And the biggest message of all – it’s all about love? Do what you love, do what you love. I didn’t say very much because how could I? What do you say in the presence of a genius? I sometimes live by the saying that goes something like “better to stay quiet and think that you’re an idiot than to open your mouth and let everyone else know it.” Suffice it to say, I was just honored to be included in the group and take everything in.

Ray Bradbury and Nik, just prior to leaving in the limo for dinner.

Anyway, that’s the rundown – I’ll put all of my pictures online in a Picasa album that you can get to by clicking here. I hope you enjoy it! I know I did.

A Rare Peek at Me in My Service Uniform!

Wow, I almost forgot to post about this – I guess that goes to show how far down blogging has been on my list lately! But I thought you’d enjoy a quick look at me in my VERY UNFLATTERING Fish and Wildlife Service official uniform. I ordered the cargo-style pants, thinking that they’d at least be more stylish than the women’s regular pants that tend to gather up near my boobs and taper towards the ankle. However, I did not realize that the cargo pants are actually made of cardboard. And I checked the label on my shirt – 10% polyester, 90% potato sack burlap. So I was itchy and scratchy and very hot the entire day!

Oh yeah – where was I??? A couple of weeks ago I volunteered to help out with the Junior Duck Stamp contest at the San Diego Zoo. Which was cool, because this is the first year in the 20-some year history that the contest was held outside of Washington D.C. It’s like the regular duck stamp contest, but school kids (hence the Junior designation) submit paintings for the stamp. And I must say, many of the entries (one from each state) were AMAZING. I couldn’t believe that these were done by kids – it almost made me want to paint again! You can read more about the contest and see the winning painting here; the money from purchasing a duck stamp goes to conservation, so pony up, people.

During the contest I got to be a Vanna – that is, I paraded one of the top five finalists in front of the audience and judges. I believe the painting I was holding came in 2nd (probably because of my excellent presentation). But enough talk – we all know that a picture is worth a thousand words!

The judges, reviewing the top 10 entries.

Go Vanna, Go!

These are actual ducks, not a painting, that were clamoring around the polar bear exhibit.

Maxfield Parrish – Master of Make-Believe

Last Sunday, Mom and I went to Balboa Park where we caught the last day of the Maxfield Parrish exhibit. Parrish was an artist who lived in the early half of the 20th century, and is one of my all-time favorite artists. We were able to see many of his very famous works, including “Daybreak” and “The Lute Players”. His use of color and light is amazing, and it takes me to a wonderful world of magic, beauty, and serenity. One of the reasons I have such a fondness for Parrish’s work is because as a child, Nik used to tell my brother and me stories he made up from the Parrish prints he had in our home. They were wonderful stories, true to classic Nik form – I wish he had written them down for me to remember now! Below is “Daybreak”, and a re-enactment done by Mom and I in Balboa Park outside of the Museum of Art.